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YMUSIC SEARCH ENGINE
MUSIC LISTENING
Bigand, Emmanuel, Are we experienced listeners? A review of the musical capacities that do not depend on
formal musical training, Université de Bourgogne, 2006
Deutsch, Diana, Hearing music in ensembles, University of California in San Diego, Physics Today, 2010, February, 40-45
Dunn, Robert E., Lifelong listening: enhancing the intuitive ways we listen to music, Case Western Reserve University, s.d.
McRae, Chris, Hearing performance as music, Liminalities, A journal of Performance Studies, vol. 11, n° 5, november 2015
Reitan, Inger Elise, Listening to music with professional ears. A study of orchestral musicians’ ways of listening, Norwegian School of Music, 2013
Schafer, R. Murray, Ear Cleaning, Notes for an experimental music course, BMI Canada Limited, 1967
Schäfer, Thomas, The psychological functions of music listening, Frontiers in psychology, 13 August 2013
MUSIC STUDIED BY HUMAN SCIENCE
Bharucha, Jamshed J., Varieties of musical experience, Elsevier, 2006
Bicknell, Jeanette, Why music moves us, Palgrave Macmillan, 2009
Bonde, Lars Ole, Musical life stories. Narratives on health musicking, Norwegian Academy of Music, Oslo, 2013
Bracken, Jillian, Family music listening legacies: A case studybased. Investigation of the intergenerational transmission of music listenership values in five families, The University of West Ontario, 2015
Brandt, Per Aage, Music and how we became human. A view from cognitive semiotics, Case Western Reserve University, s.d.
Hanslick, Eduard, The beautiful in music, Novello and Company Ltd, 1885
Heath, Stephen (Essays selected by), Roland Barthes. Images music text. Fontana Press, 1977
Hofseth, Erik, The effects of self-modeling and self-selected music on efficacy beliefs, Norwegian School of Sport Sciences, 2009
Hu, Xiao, Music and Mood: Where Theory and Reality Meet, University of Illinois at Urbana-Champaign, 2010
Kent, Dawn, The effect of music on the human body and mind, Liberty University, 2006
Kramer, Jonathan D., Postmodern Concepts of Musical Time, Indiana Theory Review, 17/2, 21-62, Fall 1996
McCraty, Rollin, The effects of different types of music on mood, tension and mental clarity, Alternative therapies in health and medicine, 4, 75-84, February 1998
Reybrouck, Mark, Music as environment: an ecological and biosemitic approach, Behavioral Sciences, 2015, 5, 1-26
Savage, Robert W. H., Being, Transcendence and the Ontology of Music, The World of Music, 51, 2009
MUSIC MARKET
Aitken, Benjamin, Download, stream or somewhere in between. The potential for legal music use in podcasting, Duke Law and Technology Review, n° 12, 2006
Bode, Matthias, 'Now that's what i call music!'. An interpretive approach to music in advertising, Advances in consumer research, volume 33, 580-586, Eds. Connie Pechmann and Linda Price, 2006
Bare, John, Bridging the Gap: Orchestras and Classical Music Listeners, John S. and James L. Knight Foundation, 2003
Brown, Alan, Initiators and Responders. A New Way to View Orchestra Audiences, John S. and James L. Knight Foundation, 2004
Classical music consumer segmentation study, Final Report, John S. and James L. Knight Foundation, 2002
Howard-Spink, Samuel James, The political economy of music networks and glocal hybrid social imaginaries, New-York University, 2012
Love-Tulloch Joanna-Katherine, “The Choice of a New Generation”: “Pop” Music, Advertising, and Meaning in the MTV Era and Beyond, University of California in Los Angeles, 2012
Müllensiefen, Daniel, Music, brands and advertising. Testing what works, University of London, s.d.
Negus, Keith, Music genres and corporate cultures, Routledge, 1999
MUSIC THEORY AND MUSICAL ANALYSIS
Bonds, Mark Evan, Absolute music. The history of an idea, Oxford University Press, 2014
Danielsen, Anne, Musical rhythm in the age of digital reproduction, Ashgate, 2010
Nurmesjärvi, Terhi, Musematic and discursive repetition. A study of repetition in popular music analysis, University of Jyväskylä, 1997
Rojo Poller, Tom, Music and time-consciousness, Talk delivered on 16th March 2006 during the Global Interplay Conference in Berlin
Wishart, Trevor, On sonic art, Harwood Academic Publishers, 1996, Overseas Publishers Association, 1996
MUSIC EDUCATION
Márquez, Enrique, Music Education. Historical Perspective and the Role of Musicians as Global Citizens, Institute for Cultural Diplomacy, 2011
MUSIC AESTHETICS
Juslin, P., Sakka, L.S., Barradas, G.T. and Liljeström, S., No accounting for taste ? Idiographic models of aesthetic judgment in music, in Psychology of Aesthetics, creativity and the arts, 2016, vol. 10, n° 2, pp. 157–170.
Stravinsky, I. and Craft, R., Conversations with Igor Stravinsky, Doubleday, New York, 1958.
Venkatesh, A. and Meamber, L.A., The aesthetics of consumption and the consumer as an aesthetic subject, in Consumption, markets and culture, vol. 11, n° 1, March 2018, pp. 45-70.
Arbo, A., Entendre comme. Réflexions sur un thème de Wittgenstein, Université Marc Bloch Strasbourg II, in IRASM 33, 2002, 2, 149-169.
Collectif, Penser la musique à l’ère du web. Réception. Ontologie, Colloque tenu à la Maison Interuniversitaire des Sciences de l’Homme, Alsace, 2019.
Lempereur, A. et Thinès, G., Dictionnaire des sciences humaines, Editions Universitaires, Paris, 1975.
You will find below some references that nurtured the writing of the essays on music you may read on this website. Please notice that it is neither an exhaustive list, nor an ensemble of titles related to the development of the YMusic search engine, but a bibliography provided to readers who want to go further by themselves and get acquainted with some topics explored by music researchers.
BIBLIOGRAPHY